Die Hände eines Bogen haltenden Schergen und drei Frauenköpfe, darunter die Tante Raffaels und seine Mutter Magia di Battista Ciarla (?), Details aus einem Gemälde von Giovanni Santi in der Bruderschaftskirche San Sebastiano (?) in Urbino, das Martyr..., Johann Anton Ramboux, after Giovanni Santi
Johann Anton Ramboux, Giovanni Santi
Die Hände eines Bogen haltenden Schergen und drei Frauenköpfe, darunter die Tante Raffaels und seine Mutter Magia di Battista Ciarla (?), Details aus einem Gemälde von Giovanni Santi in der Bruderschaftskirche San Sebastiano (?) in Urbino, das Martyr...
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Reference

Giovanni Santi: Das Martyrium des Heiligen Sebastian, Gemälde, 210 × 166 cm. Galleria Nazionale delle Marche, Urbino

Johann Anton Ramboux
afterGiovanni Santi

Die Hände eines Bogen haltenden Schergen und drei Frauenköpfe, darunter die Tante Raffaels und seine Mutter Magia di Battista Ciarla (?), Details aus einem Gemälde von Giovanni Santi in der Bruderschaftskirche San Sebastiano (?) in Urbino, das Martyr..., 1818 – 1843


Blatt
364 x 567 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 VII 66A
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Die Hände eines Bogen haltenden Schergen und drei Frauenköpfe, darunter die Tante Raffaels und seine Mutter Magia di Battista Ciarla (?), Details aus einem Gemälde von Giovanni Santi in der Bruderschaftskirche San Sebastiano (?) in Urbino, das Martyr...
Draughtsman
Inventor
Page
Klebebände, Band 7, Seite 66
Part Number / Total
1 / 1
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet unten mittig unter der linken Frau (mit schwarzem Stift): Zia di Raff.; unten mittig unter der mittleren Frau: madre di Raffaello; mittig rechts neben der rechten Frau: [unleserlich]
Captions Added Later
Bezeichnet oben rechts (mit schwarzem Stift): 18. [unleserlich]; darunter (mit Bleistift): 1444
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Motifs and References

Iconclass

Primary

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

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Last update

11.09.2023