Die Grablegung Jesu Christi, nach einem Wandgemälde des Pietro Cavallini in der unteren Kirche zu San Francesco in Assisi, Johann Anton Ramboux, after Pietro Cavallini
Johann Anton Ramboux, Pietro Cavallini
Die Grablegung Jesu Christi, nach einem Wandgemälde des Pietro Cavallini in der unteren Kirche zu San Francesco in Assisi
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Johann Anton Ramboux
afterPietro Cavallini

Die Grablegung Jesu Christi, nach einem Wandgemälde des Pietro Cavallini in der unteren Kirche zu San Francesco in Assisi, 1818 – 1843


Blatt
249 x 380 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 III 47B
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Die Grablegung Jesu Christi, nach einem Wandgemälde des Pietro Cavallini in der unteren Kirche zu San Francesco in Assisi
Draughtsman
Inventor
Page
Klebebände, Band 3, Seite 47
Part Number / Total
2 / 2
Production Place
Invented in
Assisi
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet unten links: depinto nella Chiesa di Sotto di S. Francesco in Assisi / da Pietro Cavallini furono le sue pittore nel 1364 / mori [unleserlich]
Captions Added Later
Bezeichnet oben links: 1690
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Motifs and References

Genre
Persons Shown
Illustrated Passage
  • Bibel, Neues Testament, Matthäus 27,57-61
  • Bibel, Neues Testament, Markus 15,42-47
  • Bibel, Neues Testament, Lukas 52-56
  • Bibel, Neues Testament, Johannes 19,38-42

Iconclass

Primary
  • 73D76 Christ's entombment (possibly by angels)

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

26.01.2023