Die Basilika Santa Chiara zu Assisi, Johann Anton Ramboux
Johann Anton Ramboux
Die Basilika Santa Chiara zu Assisi
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Johann Anton Ramboux

Die Basilika Santa Chiara zu Assisi, 1818 – 1843


Blatt
134 x 193 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 I 40C
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Die Basilika Santa Chiara zu Assisi
Draughtsman
Part Number / Total
3 / 3
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet oben mittig (mit Bleistift): S. Chiara // Assisi
Captions Added Later
Bezeichnet oben rechts (mit Bleistift): 88
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Motifs and References

Iconclass

Primary
  • 61E(ASSISSI) names of cities and villages (ASSISSI)
  • 61F(SANTA CHIARA) names of historical buildings, sites, streets, etc. (SANTA CHIARA)
  • 11Q712 church (exterior)
  • 25H1 landscapes in the temperate zone

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

10.04.2024