Der Maler (Selbstbildnis), Emil Nolde
Emil Nolde
Der Maler (Selbstbildnis)
DE
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Emil Nolde

Der Maler (Selbstbildnis), 1905


Blatt
450 x 314 mm
Platte/Bild
177 x 129 mm
Physical Description
Radierung
Inventory Number
65763
Object Number
65763 D
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate
Status
Not on display

Texts

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Der Maler (Selbstbildnis)
Artist
Printer
Production Place
Period Produced
Object Type
Physical Description
Radierung
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Signiert und datiert unterhalb der Darstellung rechts (mit Bleistift): Emil Nolde 05.; betitelt unten mittig (von fremder Hand?): „Der Maler." // (Selbstbild)
Signiert und bezeichnet vom Drucker unterhalb der Darstellung links (mit Bleistift): OFelsing Berlin gr
Captions Added Later
Bezeichnet unten rechts (mit Bleistift): swfr. [?] / 40–; nummeriert unten links: 1 [eingekreist]; oben rechts: 2574; unten mittig: 50479
Verso nummeriert unten links (mit Bleistift): 82.
Nummeriert auf dem Passepartout unten rechts (mit Bleistift): 82.
Verso mittig Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Schiefler-Mosel-Urban R. 6 III (von III)

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© Nolde Stiftung Seebüll
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate

Work Content

Motifs and References

Genre
Persons Shown

Iconclass

Primary
  • 61B2(NOLDE, Emil)11(+521) historical person (NOLDE, Emil) - historical person (NOLDE, Emil) portrayed alone (+ full face portrait)
  • 31D14 adult man
  • 48B3 portrait, self-portrait of artist
  • 48C513 portrait, self-portrait of painter
Secondary

Research and Discussion

Provenance

Object History
...
Carl Hagemann (1867-1940), Frankfurt am Main
Nachlass Carl Hagemann, Frankfurt am Main, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

10.04.2024