Der Goldene Saal im Schloss Urach, Carl Theodor Reiffenstein
Carl Theodor Reiffenstein
Der Goldene Saal im Schloss Urach
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Carl Theodor Reiffenstein

Der Goldene Saal im Schloss Urach, July 31, 1869

118 x 215 mm
Inventory Number
Object Number
11048 Z
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Der Goldene Saal im Schloss Urach
Klebebände, Band 29, Seite 47
Part Number / Total
1 / 2
Production Place
Period Produced
Object Type
Geographic Reference
Production Reason
Label at the Time of Manufacture
Datiert und bezeichnet unten links (mit Bleistift): Saal im Schloß zu Urach. 31. Juli 1869.; bezeichnet unten rechts: 1613.
Nummeriert auf der Seite oberhalb der Zeichnung (mit Feder in Schwarz): 1.
  • Nicht feststellbar

Property and Acquisition

Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References


  • 41AA12 castle - AA - civic architecture: inside
  • 41A222 drawing-room, 'salon'
  • 48C161 column, pillar ~ architecture
  • 61F(SCHLOSS URACH) names of historical buildings, sites, streets, etc. (SCHLOSS URACH)
  • 61E(BAD URACH) names of cities and villages (BAD URACH)

Research and Discussion


Object History
Carl Theodor Reiffenstein (1820-1893)
vermacht an das Städelsche Kunstinstitut, Frankfurt am Main, 1893


Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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