Der Berg Hohenstaufen in der Schwäbischen Alb, Carl Theodor Reiffenstein
Carl Theodor Reiffenstein
Der Berg Hohenstaufen in der Schwäbischen Alb
Back to top
This work belongs to a main work

Carl Theodor Reiffenstein

Der Berg Hohenstaufen in der Schwäbischen Alb, 1852

87 x 138 mm
Inventory Number
Object Number
9220 Z
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Der Berg Hohenstaufen in der Schwäbischen Alb
Klebebände, Band 12, Seite 69
Part Number / Total
3 / 3
Period Produced
Object Type
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet unten links (mit Bleistift): Der Hohenstaufen.
Nummeriert auf der Seite unterhalb der Zeichnung (mit Feder in Schwarz): 3
  • Nicht feststellbar

Property and Acquisition

Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References



  • 25H113 (high) hill
  • 61D(HOHENSTAUFEN) geographical names of countries, regions, mountains, rivers, etc. (HOHENSTAUFEN) (HOHENSTAUFEN)
  • 61D(SCHWÄBISCHE ALB) geographical names of countries, regions, mountains, rivers, etc. (SCHWÄBISCHE ALB) (SCHWÄBISCHE ALB)

Research and Discussion


Object History
Carl Theodor Reiffenstein (1820-1893)
vermacht an das Städelsche Kunstinstitut, Frankfurt am Main, 1893


Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

Similar works

  • All
  • Motif
  • Picture Elements
Show connecting keywords Hide connecting keywords

Tap on any work to display common keywords.

Hover over a work to display connecting keywords.

More to discover


Do you have any suggestions, questions or information about this work?

Last update