Das Mahl im Sanatorium, Ernst Ludwig Kirchner
Ernst Ludwig Kirchner
Das Mahl im Sanatorium
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Ernst Ludwig Kirchner

Das Mahl im Sanatorium, 1916


Blatt
644 x 563 mm
Darstellung
min. 590 x 505 mm
maximum height
595 mm
Inventory Number
65666
Object Number
65666 D
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Das Mahl im Sanatorium (Original Title)
Artist
Period Produced
Object Type
Material
Technique
Geographic Reference
Label at the Time of Manufacture
Signiert von Erna Schilling unterhalb der Darstellung links (mit Bleistift): E. L. Kirchner.; bezeichnet unterhalb der Darstellung rechts: Handdruck.; verso betitelt und bezeichnet unten mittig: Das Mahl im Sanat. Farbenlitho
Captions Added Later
Verso nummeriert unten links (mit Bleistift): 973.
Verso mittig links Stempel Ernst Ludwig Kirchners: Unverkäuflich / E L Kirchner (nicht bei Lugt)
Verso unten rechts runder Zollstempel: ZOLL / II – 28 [?] / [Kreuzsymbol] (nicht bei Lugt)
Verso unten links Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Gercken 802 2
  • Dube L. 332 b
  • Schiefler L. 288

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1948 as a donation from the heirs of the Carl Hagemann estate

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 31D15 adult woman
  • 31D14 adult man
  • 41A711 table
  • 41C3 laid table: table-ware, table-decoration, etc.
  • 41C37 table-cloth
  • 41C32 drinking-vessels
  • 41AA1 civic architecture; edifices; dwellings - AA - civic architecture: inside

Research and Discussion

Provenance

Object History
Ernst Ludwig Kirchner (1880-1938), Davos
Carl Hagemann(1867-1940), Frankfurt am Main
Nachlass Carl Hagemann, Frankfurt am Main,1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

23.04.2024