Bildnis der Cella Thoma, der Ehefrau des Künstlers, Hans Thoma
Hans Thoma
Bildnis der Cella Thoma, der Ehefrau des Künstlers
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Hans Thoma

Bildnis der Cella Thoma, der Ehefrau des Künstlers


Blatt
335 x 250 mm
Inventory Number
SG 2082
Object Number
SG 2082 Z
Acquisition
Acquired in 1938, Hans Thoma Collection of Otto Eiser-Eduard Kücher
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Bildnis der Cella Thoma, der Ehefrau des Künstlers
Draughtsman
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert unten rechts (mit Bleistift): HansThoma
Captions Added Later
Verso unten links Stempel der Städtischen Galerie, Frankfurt am Main (Lugt 2371c), mit zugehöriger Inventarnummer
Watermark
  • Nicht geprüft

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1938, Hans Thoma Collection of Otto Eiser-Eduard Kücher

Work Content

Motifs and References

Genre
Persons Shown

Iconclass

Primary
  • 61BB2(+521) historical persons - BB - woman (+ full face portrait)
  • 31A25311 'caput manui innixum', head held in the hand(s)

Research and Discussion

Provenance

Object History
...
Otto Eiser (1834-1898) / Eduard Küchler (1840-1919, Vater von Sofie Bergman geb. Küchler)
an Sofie Bergman-Küchler (1878-1960), Frankfurt am Main
Verkauf und Schenkung als "Hans Thoma-Sammlung von Otto Eiser-Eduard Küchler" an die Stadt Frankfurt am Main, 1938.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

19.02.2024