Aussicht über Assisi und Madonna degli Angeli, Johann Anton Ramboux
Johann Anton Ramboux
Aussicht über Assisi und Madonna degli Angeli
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Johann Anton Ramboux

Aussicht über Assisi und Madonna degli Angeli, 1818 – 1843


Blatt
194 x 275 mm
Inventory Number
Bib. 2472
Object Number
Bib. 2472 I 5C
Acquisition
Acquired in 1868
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Work Data

Basic Information

Title
Aussicht über Assisi und Madonna degli Angeli
Draughtsman
Part Number / Total
3 / 3
Production Place
Period Produced
Object Type
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Bezeichnet oben (mit Bleistift): li angeli // da Spello // assisi
Captions Added Later
Bezeichnet oben rechts (mit Bleistift): 67
Watermark
  • Nicht vorhanden

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1868

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 25H114 low hill country
  • 61E(ASSISI) names of cities and villages (ASSISI)
  • 46C112 bridge
  • 25I city-view, and landscape with man-made constructions

Research and Discussion

Provenance

Object History
Johann Anton Ramboux (1790-1866)
Nachlass Johann Anton Ramboux, 1866
Versteigerung durch J.M. Heberle (H. Lempertz), Köln, 23.5.1867 an Ferdinand Prestel, Frankfurt am Main, 1867
verkauft an das Städelsche Kunstinstitut, Frankfurt am Main, 1868.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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Last update

23.04.2024