Athletes resting, Willi Baumeister
Willi Baumeister
Athletes resting
DE
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Willi Baumeister

Athletes resting, 1929


Blatt
432 x 345 mm
Physical Description
Pencil and charcoal, erased and stumped, incised contours (pentimenti), fixed, framing line in pencil on all sides, on chamois-coloured drawing cardboard
Inventory Number
16110
Object Number
16110 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

It was in the mid-1920s that Willi Baumeister began working on his so-called Sport Pictures depicting tennis and hockey players, boxers and runners. The drawing "Athletes Resting" belongs to this workgroup. In keeping with the title, a sense of stillness prevails over the scene; the figures look almost ossified. It is not the motifs that lend the drawing its lively quality, but the juxtaposition of organic and geometric as well as two- and three-dimensional forms and the various drawing mediums and techniques the artist employed. He incised lines in the cardboard, for example, creating a delicate interplay between elevation and depth on the picture surface.

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Athletes resting
Draughtsman
Period Produced
Object Type
Physical Description
Pencil and charcoal, erased and stumped, incised contours (pentimenti), fixed, framing line in pencil on all sides, on chamois-coloured drawing cardboard
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert und datiert unten rechts (mit Bleistift): Baumeister 29
Captions Added Later
Verso Stempel des Städelschen Kunstinstituts, Frankfurt am Main (nicht bei Lugt)
Verso Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Ponert 1988.136.307

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
© VG Bild-Kunst, Bonn 2024

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 31A2352 sitting on an elevation
  • 43C(+1) sports, games and physical performances (+ sportsman, player, etc.)

Research and Discussion

Provenance

Object History
Carl Hagemann (1867-1940), Frankfurt
Nachlass Carl Hagemann, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024