Naked Girl Sitting by the Water, Otto Mueller
Otto Mueller
Naked Girl Sitting by the Water
DE
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Otto Mueller

Naked Girl Sitting by the Water, 1912


Blatt
307 x 430 mm
Physical Description
Brush and grey ink with purple cast and yellow wax crayon on wove paper
Inventory Number
16097
Object Number
16097 Z
Status
Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

Otto Mueller first sojourned on the island of Fehmarn in 1908. From that time onwards, the motif of the nude figure in the outdoors dominated his artistic work. Here we see a girl sitting in the high grass of a large seaside meadow, her back turned towards us. The artist has zoomed in close, capturing the outlines of her body and the elements of the landscape with rapid brushstrokes in greyish purple. The simple, soft contours – for example those of her leg bent at the knee – resemble the curved lines denoting the individual blades of grass. As a way of showing the close bond between human beings and their natural surroundings, Mueller availed himself of a similar formal language for both.

About the Acquisition

From 1900 onwards, the Frankfurt chemist and industrialist Carl Hagemann (1867‒1940) assembled one of the most important private collections of modern art. It included numerous paintings, drawings, watercolours and prints, especially by members of the artist group “Die Brücke”. After Carl Hagemann died in an accident during the Second World War, the then Städel director Ernst Holzinger arranged for Hagemann’s heirs to evacuate his collection with the museum’s collection. In gratitude, the family donated almost all of the works on paper to the Städel Museum in 1948. Further donations and permanent loans as well as purchases of paintings and watercolours from the Hagemann estate helped to compensate for the losses the museum had suffered in 1937 as part of the Nazi’s “Degenerate Art” campaign. Today, the Hagemann Collection forms the core of the Städel museum’s Expressionist collection.

Work Data

Basic Information

Title
Naked Girl Sitting by the Water
Draughtsman
Period Produced
Object Type
Physical Description
Brush and grey ink with purple cast and yellow wax crayon on wove paper
Material
Technique
Geographic Reference
Production Reason
Label at the Time of Manufacture
Signiert unten rechts (mit Bleisftift): Otto Mueller
Captions Added Later
Verso bezeichnet unten links (mit Bleistift) (Hagemann-Nr.): 226.
Verso unten links Stempel des Städelschen Kunstinstituts, Frankfurt am Main (Lugt 2356), mit zugehöriger Inventarnummer
Watermark
  • Nicht vorhanden
Work Catalogues
  • Pirsig-Marshall/Lüttichau P1912/04 (55)

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain

Work Content

Motifs and References

Genre

Iconclass

Primary
  • 31AA14(+55) human figure of ideal proportions, e.g. academic nude - AA - female human figure (+ sitting on the ground)
  • 25HH217 river bank - HH - ideal landscapes

Research and Discussion

Provenance

Object History
...
Carl Hagemann (1867-1940), Frankfurt
Nachlass Carl Hagemann, 1940
Schenkung der Erben an das Städelsche Kunstinstitut, Frankfurt am Main, 1948.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024