Landscape after a Thunderstorm, Johann Franciscus Ermels
Johann Franciscus Ermels
Landscape after a Thunderstorm
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Johann Franciscus Ermels

Landscape after a Thunderstorm, ca. 1660 – 1670


Dimensions
40.8 x 55.7 cm
Physical Description
Oil on canvas
Inventory Number
663
Acquisition
Acquired in 1817 as a bequest from Johann Georg Grambs
Status
Not on display

Video

  • Gastkommentar: Kunst und Wissenschaft mit Präsident der Max-Planck-Gesellschaft Martin Stratmann
    Was sieht der Präsident der Max-Planck-Gesellschaft in den Werken der Städel Sammlung? In diesem Gastkommentar eröffnet Martin Stratmann seine individuelle Sichtweise auf die Kunstwerke im Städel Museum. Er schaut sich Johann Franciscus Ermels "Landschaft bei abziehendem Gewitter (ca. 1660 - 1670) an und Jan van Goyens "Das Haarlemer Meer" (1656).

Work Data

Basic Information

Title
Landscape after a Thunderstorm
Painter
Period Produced
School
Object Type
Physical Description
Oil on canvas
Material
Technique

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
CC BY-SA 4.0 Städel Museum, Frankfurt am Main
Acquisition
Acquired in 1817 as a bequest from Johann Georg Grambs

Work Content

Motifs and References

Iconclass

Primary
  • 25H landscapes
  • 26E thunderstorm
  • 47I221 herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Secondary
  • 47I2211 herd, flock
  • 25H11 mountains
  • 25H2 landscapes with waters, waterscapes, seascapes (in the temperate zone)

Research and Discussion

Provenance

Object History
...
Johann Georg Grambs (Städel-Administrator
1756-1817), Frankfurt am Main
Vermächtnis an das Städelsche Kunstinstitut, Frankfurt am Main, 1817.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

If you have any questions or suggestions, please contact the museum at .

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  • Picture Elements
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Last update

22.10.2020