Nothing Against Max, Peter Sorge
Peter Sorge
Nothing Against Max
DE
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This work consists of multiple parts

Peter Sorge

Nothing Against Max, 1982 – 1984


Physical Description
Triptych, pencil, partially erased and stumped, and coloured pencil on cardboard
Inventory Number
17086
Object Number
17086A-C Z
Status
Not on display

Texts

About the Work

On the occasion of Max Beckmann’s (1884–1950) 100th birthday, Peter Sorge drew the large-scale triptych Nothing Against Max. Beckmann himself is seen in the sheet on the left, drawn in pencil after a photo of 1938, above him a detail of his triptych The Argonauts (1949/50). Sorge’s work combines fragments from a wide variety of media sources – for example Janet Leigh screaming in terror in the role of Marion Crane in Alfred Hitchcock’s thriller Psycho of 1960 – with details of Beckmann’s triptych. The medieval painting format points to art’s spiritual, originally religious purpose.

Work Data

Basic Information

Title
Nothing Against Max
Draughtsman
Part
King and private
Psycho
Thumbs
Period Produced
Object Type
Physical Description
Triptych, pencil, partially erased and stumped, and coloured pencil on cardboard
Material
Technique
Geographic Reference

Property and Acquisition

Institution
Administration
Collection
Creditline
Städel Museum, Frankfurt am Main, Eigentum des Städelschen Museums-Vereins e.V.
Picture Copyright
© VG Bild-Kunst, Bonn 2021

Work Content

Research and Discussion

Provenance

Object History
Peter Neubronner, Frankfurt am Main
Schenkung an den Städelschen Museums-Verein e.V., Frankfurt am Main, 2010.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

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Last update

12.01.2021